Goldstein, Joshua S. (2007). Drama Kings: Players and Publics in the Re-creation of Peking Opera, 1870–1937. University of California Press. p. 3.
Mackerras, Colin Patrick (1976). "Theatre and the Taipings". Modern China. 2 (4): 473–501. doi:10.1177/009770047600200404.
Wichmann, Elizabeth (1990). "Tradition and Innovation in Contemporary Beijing Opera Performance". TDR. TDR (1988–), Vol. 34, No. 1. 34 (1): 146–178. doi:10.2307/1146013. JSTOR 1146013.
Rao, Nancy Yunhwa (2000). "Racial Essences and Historical Invisibility: Chinese Opera in New York, 1930". Cambridge Opera Journal. 12 (2): 135–162. doi:10.1017/S095458670000135X.
Wichmann, Elizabeth (1991). Listening to Theatre: The Aural Dimension of Beijing Opera. University of Hawaii Press. p. 360.
Guy, Nancy A. (1990). "The Appreciation of Chinese Opera: A Reply to Ching-Hsi Perng (in Forum for Readers and Authors)". Asian Theatre Journal. Asian Theatre Journal, Vol. 7, No. 2. 7 (2): 254–259. doi:10.2307/1124341. JSTOR 1124341.
Wichmann, Elizabeth (1991) p.12–16
Lu, Xing (2004). Rhetoric of the Chinese Cultural Revolution. University of South California Press. pp. 143–150.
ธันวาคม 27, 2021
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