This file has been superseded by 1602-3 Caravaggio,Supper at Emmaus National Gallery, London.jpg. It is recommended to use the other file. Please note that deleting superseded images requires consent.
ความย่อ
การาวัจโจ: Supper at Emmaus
ศิลปิน/ผู้สร้างสรรค์งาน
การาวัจโจ (1571–1610)
ชื่ออื่น
Michelangelo Merisi da Caravaggio, Birth name: Michelangelo Merisi
Italiano: Michelangelo Merisi, detto il Caravaggio
from en wikipedia. Caravaggio, “Supper at Emmaus”, painted 1601-02. Size: 77 by 55 inches (195 by 139 cm). National Gallery, London (UK). <br> Source: http://www.kfki.hu/~arthp/html (Web Gallery of Art). <br> Picture prepared for Wikipedia by
Supper at Emmaus 1601-02 Oil on canvas, 139 x 195 cm National Gallery, London
The gospel according to St Luke (24:13-32) tells of the meeting of two disciples with the resurrected Christ. It is only during the meal that his companions recognize him in the way he blesses and breaks the bread. But with that, the vision of Christ vanishes. In the gospel according to St Mark (16:12) he is said to have appeared to them "in an other form" which is why Caravaggio did not paint him with a beard at the age of his crucifixion, but as a youth.
The host seems interested but somewhat confused at the surprise and emotion shown by the disciples. The light falling sharply from the top left to illuminate the scene has all the suddenness of the moment of recognition. It captures the climax of the story, the moment at which seeing becomes recognizing. In other words, the lighting in the painting is not merely illumination, but also an allegory. It models the objects, makes them visible to the eye and is at the same time a spiritual portrayal of the revelation, the vision, that will be gone in an instant.
Caravaggio has offset the transience of this fleeting moment in the tranquillity of his still life on the table. On the surfaces of the glasses, crockery, bread and fruit, poultry and vine leaves, he unfurls all the sensual magic of textural portrayal in a manner hitherto unprecedented in Italian painting.
The realism with which Caravaggio treated even religious subjects - apostles who look like labourers, the plump and slightly feminine figure of Christ - met with the vehement disapproval of the clergy.
--- Keywords: --------------
Author: CARAVAGGIO Title: Supper at Emmaus Time-line: 1551-1600 School: Italian Form: painting
Type: religious
กุมภาพันธ์ 11, 2024
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ke Caravaggio Awalkera ke Ketyanya trutca ke Caravaggio Awalkodayura ke Matteo tumtikye trutca ke Caravaggio Blikese Francesco tumtikye 1 trutca ke Caravaggio Blikese Girolamo tumtikye trutca ke Caravaggio Daykara va Krist trutca ke Caravaggio Delt va Paolo V papik trutca ke Caravaggio Deweldura ke Paolo tumtikye 1 trutca ke Caravaggio Deweldura ke Paolo tumtikye 2 trutca ke Caravaggio Ecce Homo trutca ke Caravaggio Estura koe Emmaus 1 trutca ke Caravaggio Wetara va Isacco 2 trutca ke Caravaggio Volopelkafe Tommaso tumtikye trutca ke Caravaggio Trutceem ke Caravaggio Torestasonara 1 trutca ke Caravaggio Torestasonara 2 trutca ke Caravaggio Sutese Girolamo tumtikye 1 trutca ke Caravaggio Sopera va Krist trutca ke Caravaggio Gamdaytara va Pietro tumtikye trutca ke Caravaggio Giovanni Battista tumtikye 2 trutca ke Caravaggio Giovanni Battista tumtikye 3 trutca ke Caravaggio Giovanni Battista tumtikye 4 trutca ke Caravaggio Giovanni Battista tumtikye 5 trutca ke Caravaggio Ketyanya do Pintye is Anna tumtikya trutca ke Caravaggio Ketyanya ke befoltikeem trutca ke Caravaggio Koblira do Lorenzo tumtikye isu Francesco trutca ke Caravaggio Krist moe Kruba mefta trutca ke Caravaggio Kubla ke Matteo tumtikye trutca ke Caravaggio Matteo tumtikye is pumkik 1 trutca ke Caravaggio Matteo tumtikye is pumkik 2 trutca ke Caravaggio karichbn ay wikipedia org Caravaggio karichbn bg wikipedia org Mikelandzhelo da Karavadzho karichbn ca wikipedia org Emmaus Judea Els deixebles d Emmaus Mila karichbn cs wikipedia org Emauzy biblicke misto karichbn da wikipedia org National Gallery karichbn de wikipedia org Benutzer Anton kurt Abendmahl in Emmaus karichbn el wikipedia org Karabatzo Emmaoys Katalogos ergwn toy Karabatzo karichbn en wikipedia org User LoverOfArt User Ari89 historicityresurrection karichbn eo wikipedia org Emaus karichbn es wikipedia org Emaus Caravaggio Wikiproyecto Discusion Pintura Temas archivados 1 Han van Meegeren Anexo Coleccion de la National Gallery de Londres dukarichthwolkephimetimkhxngiflnikhxmulekiywkbphaph phaphnimikhxmulephimetim sungswnihymacakklxngdicitxlhruxsaeknenxrthisamarthekbkhxmuldngklawiwrwmkbphaphid thaphaphnithukprbprungaekikhhruxepliynaeplngcakedim khxmulbangxyangcayngkhngimepliynaeplngehmuxnphaphthithukprbprungaekikhnnkhwamehnifl JPEGCARAVAGGIO b 1571 Caravaggio d 1610 Porto Ercole Supper at Emmaus 1601 02 Oil on canvas 139 x 195 cm National Gallery LondonThe gospel according to St Luke 24 13 32 tells of the meeting of two disciples with the resurrected Christ It is only during the meal that his companions recognize him in the way he blesses and breaks the bread But with that the vision of Christ vanishes In the gospel according to St Mark 16 12 he is said to have appeared to them in an other form which is why Caravaggio did not paint him with a beard at the age of his crucifixion but as a youth The host seems interested but somewhat confused at the surprise and emotion shown by the disciples The light falling sharply from the top left to illuminate the scene has all the suddenness of the moment of recognition It captures the climax of the story the moment at which seeing becomes recognizing In other words the lighting in the painting is not merely illumination but also an allegory It models the objects makes them visible to the eye and is at the same time a spiritual portrayal of the revelation the vision that will be gone in an instant Caravaggio has offset the transience of this fleeting moment in the tranquillity of his still life on the table On the surfaces of the glasses crockery bread and fruit poultry and vine leaves he unfurls all the sensual magic of textural portrayal in a manner hitherto unprecedented in Italian painting The realism with which Caravaggio treated even religious subjects apostles who look like labourers the plump and slightly feminine figure of Christ met with the vehement disapproval of the clergy Keywords Author CARAVAGGIO Title Supper at Emmaus Time line 1551 1600 School Italian Form painting Type religious ekhathungcak https th wikipedia org wiki ifl Caravaggio emmaus 750pix jpg, wikipedia, วิกิ หนังสือ, หนังสือ, ห้องสมุด,
