A Caucasian Central Asian monk, possibly an Indo-European Sogdian or Tocharian, teaching an East Asian monk, perhaps a Turkic Uyghur or Chinese, on a 9th-century AD fresco from the Bezeklik Thousand Buddha Caves near Turfan, Xinjiang, China. A detail from Praņidhi scene no. 5 in Temple no. 9. The book that this painting is reproduced in has full descriptions of these two figures. Relevant details, along with the German descriptions, are found below.
The figure on the right is a young Buddhist monk painted in a stereotypical East Asian style. He stands with downcast eyes directed in reverence as he hears the teachings of the figure on the left. The figure on the left is painted in a style that is not East Asian in character. The two circles on either side of his chin are remarkably unusual (piercings?). He features a strongly-set nose and clear blue eyes. His skin color is darker. His hair and beard color is reddish brown with brown shades. He stands looking at the younger monk, raising his hand in a teaching gesture as he speaks.
Figure on Right: Über den Schirmen erheben sich die Gestalten zweier Mönche. Der rechts stehende ist ein Jüngling mit schablonenhaft gemaltem Gesicht ostasiatischen Typs; er trägt mehrere verschiedenartig gefärbte Unterkleider und daruber einen grünen, rot gestreiften Flickenrock. Er steht mit niedergeschlagenen Augen nach links gewendet in anbetender Stellung da und scheint andächtig den erklärenden Worten zu lauschen, die sein Begleiter an ihn richtet.
Figure on Left: Dieser, ein alterer Mann im gelb und braunen Flickenrock, besitzt wiederum einen der auffallenden, nicht schablonenhalf gemalten Köpfe, die einen nichtostasiatischen Typus tragen. Er hat rotes Haar und einen roten Bart, dessen Stoppeln in einer sonderbar stilisierten Malweise wiedergegeben werden (man beachte auch die auffälligen nackten Stellen, die rechts und links von der Mitte des Kinnes erscheinen!). Seine Nase ist stark und hervorspringend; die geradestehenden Augen von klarer, blauer Farbe; die Hautfarbe ist rötlichbraun mit braunen Schattierungen. Er steht, den Blick auf seinen jüngeren Begleiter gewendet, mit erhobener Hand lehrend oder erklärend da.
In "Tafel 19" of his Chotscho: Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan] (Berlin, 1913), Albert von le Coq identified the figure on the right as a "Tocharer" (i.e. Tocharian) and the figure on the left as "Ostasiate" (i.e. East Asian). In other murals of the Bezeklik Budda Caves, however, foreign-looking Caucasian men have been identified as ethnic Sogdians (an Eastern Iranian people). For instance, Scene No. 6 in Temple 9, in the same temple as the aforesaid mural, modern scholars have identified the kneeling men draped in silk robes as Sogdians (see Gasparini, Mariachiara. "A Mathematic Expression of Art: Sino-Iranian and Uighur Textile Interactions and the Turfan Textile Collection in Berlin," in Rudolf G. Wagner and Monica Juneja (eds), Transcultural Studies, Ruprecht-Karls Universität Heidelberg, No 1 (2014), pp 134-163. ISSN: 2191-6411. See also endnote #32 for further information on source material.)
วันที่
8 century
date QS:P,+750-00-00T00:00:00Z/7
แหล่งที่มา
Chotscho: Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan, Berlin, 1913. A catalogue of the findings of the Second German Turfan Expedition (1904–1905) led by Albert von Le Coq, containing colour reproductions of the murals, which were destroyed in WW2. (National Institute of Informatics – Digital Silk Road Project Digital Archive of Toyo Bunko Rare Books)
ผู้สร้างสรรค์
of the paintings - Unknown. Of the book, Albert von Le Coq.
เวอร์ชันอื่น
This file has an extracted image: File:VitarkaMudra.JPG.
ไฟล, central, asian, buddhist, monks, jpeg, ไฟล, ประว, ไฟล, หน, าท, ภาพน, การใช, ไฟล, วนกลาง, อม, ลเก, ยวก, บภาพไม, ภาพท, รายละเอ, ยดส, งกว, าน, central, asian, buddhist, monks, jpeg, 8206, กเซล, ขนาดไฟล, โลไบต, ชน, ดไมม, image, jpeg, ปภาพหร, อไฟล, เส, ยงน, นฉ. ifl prawtiifl hnathimiphaphni karichiflswnklang khxmulekiywkbphaphimmiphaphthimiraylaexiydsungkwani Central Asian Buddhist Monks jpeg 8206 470 591 phikesl khnadifl 173 kiolibt chnidimm image jpeg rupphaphhruxiflesiyngni tnchbbxyuthi khxmmxns raylaexiyddanlang epnkhxkhwamthiaesdngphlcak ifltnchbbinkhxmmxns khxmmxnsepnewbistinokhrngkarsahrbekbrwbrwmsuxesri thi khunsamarthchwyid khwamyx khaxthibayCentral Asian Buddhist Monks jpeg A Caucasian Central Asian monk possibly an Indo European Sogdian or Tocharian teaching an East Asian monk perhaps a Turkic Uyghur or Chinese on a 9th century AD fresco from the Bezeklik Thousand Buddha Caves near Turfan Xinjiang China A detail from Pranidhi scene no 5 in Temple no 9 The book that this painting is reproduced in has full descriptions of these two figures Relevant details along with the German descriptions are found below The figure on the right is a young Buddhist monk painted in a stereotypical East Asian style He stands with downcast eyes directed in reverence as he hears the teachings of the figure on the left The figure on the left is painted in a style that is not East Asian in character The two circles on either side of his chin are remarkably unusual piercings He features a strongly set nose and clear blue eyes His skin color is darker His hair and beard color is reddish brown with brown shades He stands looking at the younger monk raising his hand in a teaching gesture as he speaks Figure on Right Uber den Schirmen erheben sich die Gestalten zweier Monche Der rechts stehende ist ein Jungling mit schablonenhaft gemaltem Gesicht ostasiatischen Typs er tragt mehrere verschiedenartig gefarbte Unterkleider und daruber einen grunen rot gestreiften Flickenrock Er steht mit niedergeschlagenen Augen nach links gewendet in anbetender Stellung da und scheint andachtig den erklarenden Worten zu lauschen die sein Begleiter an ihn richtet Figure on Left Dieser ein alterer Mann im gelb und braunen Flickenrock besitzt wiederum einen der auffallenden nicht schablonenhalf gemalten Kopfe die einen nichtostasiatischen Typus tragen Er hat rotes Haar und einen roten Bart dessen Stoppeln in einer sonderbar stilisierten Malweise wiedergegeben werden man beachte auch die auffalligen nackten Stellen die rechts und links von der Mitte des Kinnes erscheinen Seine Nase ist stark und hervorspringend die geradestehenden Augen von klarer blauer Farbe die Hautfarbe ist rotlichbraun mit braunen Schattierungen Er steht den Blick auf seinen jungeren Begleiter gewendet mit erhobener Hand lehrend oder erklarend da In Tafel 19 of his Chotscho Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan Berlin 1913 Albert von le Coq identified the figure on the right as a Tocharer i e Tocharian and the figure on the left as Ostasiate i e East Asian In other murals of the Bezeklik Budda Caves however foreign looking Caucasian men have been identified as ethnic Sogdians an Eastern Iranian people For instance Scene No 6 in Temple 9 in the same temple as the aforesaid mural modern scholars have identified the kneeling men draped in silk robes as Sogdians see Gasparini Mariachiara A Mathematic Expression of Art Sino Iranian and Uighur Textile Interactions and the Turfan Textile Collection in Berlin in Rudolf G Wagner and Monica Juneja eds Transcultural Studies Ruprecht Karls Universitat Heidelberg No 1 2014 pp 134 163 ISSN 2191 6411 See also endnote 32 for further information on source material wnthi 8 century date QS P 750 00 00T00 00 00Z 7aehlngthima Chotscho Facsimile Reproduction of Important Findings of the First Royal Prussian Expedition to Turfan in East Turkistan Berlin 1913 A catalogue of the findings of the Second German Turfan Expedition 1904 1905 led by Albert von Le Coq containing colour reproductions of the murals which were destroyed in WW2 National Institute of Informatics Digital Silk Road Project Digital Archive of Toyo Bunko Rare Books phusrangsrrkh of the paintings Unknown Of the book Albert von Le Coq ewxrchnxun This file has an extracted image File VitarkaMudra JPG phaphniepnphaphthiekidcakkarthasaenaphaphhruxsilpkrrmsxngmiti sungtwphaphtnchbbthithukthasannepnsatharnsmbtidwyehtuphltxipni Public domain Public domain false falsenganniepnsatharnsmbti inpraethstnkaenidaelapraethsxun thirayaewlakarkhumkhrxnglikhsiththinxykwa 100 pihlngcakphusrangsrrkhnganesiychiwit nganniepnsatharnsmbtiinshrthxemrika enuxngcakidrbkarephyaephr hruxkhuncdthaebiyntxsanknganlikhsiththiaehngshrth kxnwnthi 1 mkrakhm kh s 1928iflniidthukrabuwaimmikhxcakdphayitkdhmaylikhsiththi rwmthungsiththithiekiywkhxngaelathiiklekhiyngknhttps creativecommons org publicdomain mark 1 0 PDM Creative Commons Public 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