Adoration of the Magi by Gentile da Fabriano (1423) Tempera on wood, 300 x 282 cm Galleria degli Uffizi, Florence Source: http://gallery.euroweb.hu/html/g/gentile/adormag1.html Public domain: {{pd-art}}
Adoration of the Magi 1423 Tempera on wood, 300 x 282 cm Galleria degli Uffizi, Florence
Gentile da Fabriano's painting is not a geometrically constructed composition. It should be read as if it were the text of a tale, beginning at the top left corner, where the three Magi, meeting at the seaside, notice the star they have to follow. If we follow their course among sloping hills and cultivated fields we can see how they march into Jerusalem under the frame of the central arch, while in the lunette on the right we can see them departing. In the middle distance the direction of their journey changes, proceeding towards us and suddenly the mass of people appears from a deep ravine flanked up by a precipitous rock and a fence. Now we can discern the faces too, and observe the smallest details of garments, arms and harness. Then the crowd, which can pride itself on hunters, noble chargers and exotic animals too, stops at the right-hand corner of the foreground, having reached its destination. Only here does the youngest King's page remove his master's spurs; having sunk to one knee the second King is on the point of handing over his gift, whereas the oldest, who has already presented his, is kneeling and kissing the Infant Jesus' foot. The elegant handmaids of the Virgin are taking delight in the lovely sight.
In a masterly way Gentile da Fabriano launches, moves and stops this huge crowd of people. On the shores of the endless sea, underneath the left upper lunette, the figures of the three Magi on the summit of a mountain are surrounded by an atmosphere of cosmic stillness, while the march itself is exceedingly animated. Lively conversations are in progress, the horses are ambling and the limitless wonders of nature attract the travellers' attention. The scene of the Magi paying homage (also in the left-hand side) is calm again, emanating profound devotion and meditation. The somewhat dilapidated gate and the cave separate the principal characters from the episodes narrating what had happened earlier and it gives them some quiet in the otherwise overcrowded composition.
The plentiful realism of details which Gentile da Fabriano produced achieved such convincing effects that it approached the Renaissance ideal of representing reality. He was not only able to depict objects accurately, but also every tiny change of facial expressions and the direction of glances establishing links between people. Nor did he forget the spectator, since the donor of the altarpiece, Palla Strozzi, standing behind the youngest King, is looking at us.
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Author: GENTILE DA FABRIANO Title: Adoration of the Magi Time-line: 1351-1400 School: Italian Form: painting
Type: religious
มกราคม 27, 2023
ไฟล, gentile, fabriano, adoration, ไฟล, ประว, ไฟล, หน, าท, ภาพน, การใช, ไฟล, วนกลาง, อม, ลเก, ยวก, บภาพขนาดของต, วอย, างน, กเซล, ความละเอ, ยดอ, กเซล, กเซล, กเซล, ภาพท, ความละเอ, ยดส, งกว, 8206, กเซล, ขนาดไฟล, โลไบต, ชน, ดไมม, image, jpeg, ปภาพหร, อไฟล, เส, ยงน. ifl prawtiifl hnathimiphaphni karichiflswnklang khxmulekiywkbphaphkhnadkhxngtwxyangni 746 600 phikesl khwamlaexiydxun 299 240 phikesl 597 480 phikesl 908 730 phikesl duphaphthimikhwamlaexiydsungkwa 8206 908 730 phikesl khnadifl 188 kiolibt chnidimm image jpeg rupphaphhruxiflesiyngni tnchbbxyuthi khxmmxns raylaexiyddanlang epnkhxkhwamthiaesdngphlcak ifltnchbbinkhxmmxns khxmmxnsepnewbistinokhrngkarsahrbekbrwbrwmsuxesri thi khunsamarthchwyid khwamyx Adoration of the Magi silpin phusrangsrrkhngan ecntiel da fabrixaon 1370 1427 chuxxun Birth name Gentile di Niccolo di Giovanni Massikhaxthibay citrkr aela fresco painterwnekid wnesiychiwit circa 1912 hrux 1913 date QS P 1370 00 00T00 00 00Z 9 P1480 Q57279021969 hrux 1970 sthanthiekid 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the Magi by Gentile da Fabriano 1423 Tempera on wood 300 x 282 cm Galleria degli Uffizi Florence Source http gallery euroweb hu html g gentile adormag1 html Public domain pd art hnathimiphaphni hnatxipni oyngmathiphaphni karnmskarkhxngohracary phrakhmphirkhnyak karichiflswnklang wikixuntxipniichiflni karichbn af wikipedia org Gentile da Fabriano karichbn ar wikipedia org جنتيلي دا فابريانو karichbn be wikipedia org Internacyyanalnaya gotyka Dzhentyle da Fabryyana karichbn ca wikipedia org Gentile da Fabriano karichbn cs wikipedia org Klaneni tri kralu Gentile da Fabrino 1423 karichbn da wikipedia org Galleria degli Uffizi Bruger Erik Bachmann Galleria degli Uffizi karichbn el wikipedia org Katalogos ergwn toy Oyfitsi karichbn en wikipedia org Gentile da Fabriano Poor Man s Bible 1420s in art User VivaItalia1974 Treasures of Italy karichbn eo wikipedia org Uffizi karichbn es wikipedia org Pintura gotica internacional Compendio del Catecismo de la Iglesia catolica karichbn fa wikipedia org اوفیتزی karichbn fr wikipedia org Gothique international L Adoration des mages Gentile da Fabriano karichbn he wikipedia org שלושת האמגושים karichbn hr wikipedia org Gotika Portal Likovna umjetnost Izabrani clanci 2008 Gentile da Fabriano Slikarstvo gotike Portal Likovna umjetnost Umjetnicki smjer 06 2008 karichbn io wikipedia org Gentile da Fabriano karichbn mk wikipedia org Ufici karichbn nl wikipedia org 1423 karichbn nn wikipedia org Gentile da Fabriano karichbn no wikipedia org Gentile da Fabriano karichbn pt wikipedia org Pintura do gotico Gentile da Fabriano Gotico internacional Pintura europeia da Pre Historia a Idade Media karichbn ru wikipedia org Dzhentile da Fabriano Internacionalnaya gotika Poklonenie volhvov kartina Poklonenie volhvov Voronezhskij oblastnoj hudozhestvennyj muzej imeni I N Kramskogo karichbn sh wikipedia org Gentile da Fabriano Gotika karichbn sl wikipedia org Gentile da Fabriano karichbn sr wikipedia org Ufici karichbn sv wikipedia org Gentile da Fabriano karichbn sw wikipedia org Gentile wa Fabriano karichbn tr wikipedia org Gentile da Fabriano karichbn vi wikipedia org Uffizikhxmulekiywkbphaph phaphnimikhxmulephimetim sungswnihymacakklxngdicitxlhruxsaeknenxrthisamarthekbkhxmuldngklawiwrwmkbphaphid thaphaphnithukprbprungaekikhhruxepliynaeplngcakedim khxmulbangxyangcayngkhngimepliynaeplngehmuxnphaphthithukprbprungaekikhnnkhwamehnifl JPEGGENTILE DA FABRIANO b ca 1370 Fabriano Marche d 1427 Roma Adoration of the Magi 1423 Tempera on wood 300 x 282 cm Galleria degli Uffizi FlorenceGentile da Fabriano s painting is not a geometrically constructed composition It should be read as if it were the text of a tale beginning at the top left corner where the three Magi meeting at the seaside notice the star they have to follow If we follow their course among sloping hills and cultivated fields we can see how they march into Jerusalem under the frame of the central arch while in the lunette on the right we can see them departing In the middle distance the direction of their journey changes proceeding towards us and suddenly the mass of people appears from a deep ravine flanked up by a precipitous rock and a fence Now we can discern the faces too and observe the smallest details of garments arms and harness Then the crowd which can pride itself on hunters noble chargers and exotic animals too stops at the right hand corner of the foreground having reached its destination Only here does the youngest King s page remove his master s spurs having sunk to one knee the second King is on the point of handing over his gift whereas the oldest who has already presented his is kneeling and kissing the Infant Jesus foot The elegant handmaids of the Virgin are taking delight in the lovely sight In a masterly way Gentile da Fabriano launches moves and stops this huge crowd of people On the shores of the endless sea underneath the left upper lunette the figures of the three Magi on the summit of a mountain are surrounded by an atmosphere of cosmic stillness while the march itself is exceedingly animated Lively conversations are in progress the horses are ambling and the limitless wonders of nature attract the travellers attention The scene of the Magi paying homage also in the left hand side is calm again emanating profound devotion and meditation The somewhat dilapidated gate and the cave separate the principal characters from the episodes narrating what had happened earlier and it gives them some quiet in the otherwise overcrowded composition The plentiful realism of details which Gentile da Fabriano produced achieved such convincing effects that it approached the Renaissance ideal of representing reality He was not only able to depict objects accurately but also every tiny change of facial expressions and the direction of glances establishing links between people Nor did he forget the spectator since the donor of the altarpiece Palla Strozzi standing behind the youngest King is looking at us Keywords Author GENTILE DA FABRIANO Title Adoration of the Magi Time line 1351 1400 School Italian Form painting Type religious ekhathungcak https th wikipedia org wiki ifl Gentile da Fabriano Adoration jpg, wikipedia, วิกิ หนังสือ, หนังสือ, ห้องสมุด,
