Previous diplomatic "Dutch Gifts" had been presented to Henry, Prince of Wales in 1610 (J. G. van Gelder, "Notes on the Royal Collection — IV: The 'Dutch Gift' of 1610 to Henry, Prince of 'Whalis', and Some Other Presents", The Burlington Magazine105 No. 729 [December 1963:541-545]) and to Charles I in 1636, which had included six horses and a state carriage, four paintings, a fine watch, a chest veneered with mother-of-pearl and a precious lump of ambergris (J. G. van Gelder, "Notes on the Royal Collection — III: The 'Dutch Gift' to Charles I", The Burlington Magazine104 [1962:291-94]). ).
Whittaker and Clayton: pp. 31-2 for the art, Gleissner for the furniture and yacht. The yacht was the gift of the Dutch East India Company, according to Liverpool Museums (with model), or the City of Amsterdam according to other sources.
Emil Jacobs, "Das Museo Vendramin under die Sammlung Reynst", Repertorium für Kunstwissenschaft, 46 (1925:15-38), noted in Denis Mahon I p. 303 note 1. Mahon notes that the Reynst collection was as well known for its antiquities as for its paintings (Mahon p 304 note 14). See also Halbertsma on the sculpture, and Logan on the collection as a whole.
The tradition that many of the paintings had previously been in Charles I's collection, disseminated by George Vertue in the eighteenth century and often repeated was laid to rest by Denis Mahon 1949 — see Mahon I.
Lloyd, Christopher, The Queen's Pictures, Royal Collectors through the centuries, (National Gallery Publications) 1991, p. 75 ISBN 0947645896
Lloyd, p.75
Mahon I, p.303
Church Times, 11 August 2006
Broekman and Helmers
Mahon III, 12. Not all the paintings were included in the engravings of the Reynst collection, and some of these provenances remain highly probable rather than certain.
Whitaker and Clayton: pp. 31-2 describe the gift in general, and the individual paintings listed immediately below all have full catalogue entries, except the Schiavone Christ before Pilate and the Cariani, which are not covered by Whitaker and Clayton.
Charles' favourite, according to the Dutch ambassadors sent with the gift. See Whitaker and Clayton, pp. 194-7, who justify the atrtribution to Titian, sometimes questioned in the past.
Catalogued in 1666-7 as a Raphael. Whitaker & Clayton, 136.
Say Whitaker and Clayton, p. 41, n 113. National Gallery. See Penny 13-14 for more detail on the tangled status of the paintings in Catherine's "custody".
Penny, 13-14
"Thesis by Denise Giannino, p.14, n. 37" (PDF). เก็บ (PDF) จากแหล่งเดิมเมื่อ 2012-07-07. สืบค้นเมื่อ 2012-07-07.
Klessmann, pp. 138-145, 198, 205 (the last two on the provenance, on which the authors seem not wholly in accord)
Halbertsma, 10, note 12
Identified by Ellis Waterhouse and published in a note in The Burlington Magazine92 No. 569 (August 1950:238) by Denis Mahon.
Penny, 471
บรรณานุกรมและอ่านเพิ่มเติม
Lucy Whitaker, Martin Clayton, The Art of Italy in the Royal Collection; Renaissance and Baroque, Royal Collection Publications, 2007, ISBN 978 1 902163 291
Gleissner, Stephen, Reassembling a royal art collection for the restored King of Great Britain, Journal of the History of Collections 1994 6(1):103-115
Halbertsma, R. B. (2003), Scholars, Travellers, and Trade: The Pioneer Years of the National Museum of Antiquities in Leiden, 1818-1840, Routledge, p. 9-10
Inge Broekman, Helmer Helmers, ‘Het hart des offraers’ – The Dutch Gift as an act of self-representation, Dutch Crossing: A Journal in Low Countries Studies, Vol. 31, No. 2 (Winter 2007)
Rüdiger Klessmann and others, Adam Elsheimer 1578-1610, 2006, Paul Holberton Publishing/National Galleries of Scotland; ISBN 1 903278 783
Michael Levey, Pictures in the Royal Collection, The Later Italian Pictures, 1964, Phaidon Press, London
Logan, Anne-Marie S. , "The 'Cabinet' of the Brothers Gerard and Jan Reynst" (Amsterdam, 1979).
Denis Mahon, Notes on the 'Dutch Gift' to Charles II:, The Burlington Magazine, Vol. 91, Part I in: No. 560 (Nov., 1949), pp. 303-305, Part II in No. 561 (Dec., 1949), pp. 349-350, Part III No. 562 (Jan., 1950), pp. 12-18. (All on JSTOR: Pt I, Pt II, Pt III and a letter.)
Notes on the Royal Collection, 3 : The 'Dutch gift' to Charles I / Bruyn, J.; Millar, Oliver, Sir, 1923-. 1962
Penny, Nicholas, National Gallery Catalogues (new series): The Sixteenth Century Italian Paintings, Volume II, Venice 1540-1600, 2008, National Gallery Publications Ltd, ISBN 1857099133
Thiel, P. J. J. Van, Het Nederlandse geschenk (Dutch gift) aan Koning Karel II van Engeland 1660, Amsterdam, Rijksmuseum, 1965
Royal Collection, paintings acquired by Charles II
กันยายน 12, 2021
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karaetngngankhxngnkbuyaekhthethxrin ephaol eworenesraw kh s 1562 1569 phaphehmuxnkhxngmaekxrita phaelaolka culiox ormaonraw kh s 1531 phraeysuaebkkangekhn caokhop bassaonhxsilpaehngchati lxndxnxangxing aekikh Previous diplomatic Dutch Gifts had been presented to Henry Prince of Wales in 1610 J G van Gelder Notes on the Royal Collection IV The Dutch Gift of 1610 to Henry Prince of Whalis and Some Other Presents The Burlington Magazine 105 No 729 December 1963 541 545 and to Charles I in 1636 which had included six horses and a state carriage four paintings a fine watch a chest veneered with mother of pearl and a precious lump of ambergris J G van Gelder Notes on the Royal Collection III The Dutch Gift to Charles I The Burlington Magazine 104 1962 291 94 Whittaker and Clayton pp 31 2 for the art Gleissner for the furniture and yacht The yacht was the gift of the Dutch East India Company according to Liverpool Museums with model or the City of Amsterdam according to other sources Emil Jacobs Das Museo Vendramin under die Sammlung Reynst Repertorium fur Kunstwissenschaft 46 1925 15 38 noted in Denis Mahon I p 303 note 1 Mahon notes that the Reynst collection was as well known for its antiquities as for its paintings Mahon p 304 note 14 See also Halbertsma on the sculpture and Logan on the collection as a whole The tradition that many of the paintings had previously been in Charles I s collection disseminated by George Vertue in the eighteenth century and often repeated was laid to rest by Denis Mahon 1949 see Mahon I Lloyd Christopher The Queen s Pictures Royal Collectors through the centuries National Gallery Publications 1991 p 75 ISBN 0947645896 Lloyd p 75 Mahon I p 303 Church Times 11 August 2006 Broekman and Helmers Mahon III 12 Not all the paintings were included in the engravings of the Reynst collection and some of these provenances remain highly probable rather than certain Whitaker and Clayton pp 31 2 describe the gift in general and the individual paintings listed immediately below all have full catalogue entries except the Schiavone Christ before Pilate and the Cariani which are not covered by Whitaker and Clayton Charles favourite according to the Dutch ambassadors sent with the gift See Whitaker and Clayton pp 194 7 who justify the atrtribution to Titian sometimes questioned in the past Catalogued in 1666 7 as a Raphael Whitaker amp Clayton 136 Penny 471 Grove Art Levey 93 nos 582 583 also pp 19 39 Boston MFA khlngkhxmuleka ekbcak aehlngedim emux 2007 12 12 subkhnemux 2009 10 22 Say Whitaker and Clayton p 41 n 113 National Gallery See Penny 13 14 for more detail on the tangled status of the paintings in Catherine s custody Penny 13 14 Thesis by Denise Giannino p 14 n 37 PDF ekb PDF cakaehlngedimemux 2012 07 07 subkhnemux 2012 07 07 Greg Beaman Nature Nurture Mythology http etd lsu edu docs available etd 11152007 221012 unrestricted Beaman thesis pdf p 41 Maurithuis khlngkhxmuleka ekbcak aehlngedim emux 2008 05 28 subkhnemux 2009 10 22 Klessmann pp 138 145 198 205 the last two on the provenance on which the authors seem not wholly in accord Halbertsma 10 note 12 Identified by Ellis Waterhouse and published in a note in The Burlington Magazine 92 No 569 August 1950 238 by Denis Mahon Penny 471brrnanukrmaelaxanephimetim aekikhLucy Whitaker Martin Clayton The Art of Italy in the Royal Collection Renaissance and Baroque Royal Collection Publications 2007 ISBN 978 1 902163 291 Gleissner Stephen Reassembling a royal art collection for the restored King of Great Britain Journal of the History of Collections 1994 6 1 103 115 Halbertsma R B 2003 Scholars Travellers and Trade The Pioneer Years of the National Museum of Antiquities in Leiden 1818 1840 Routledge p 9 10 Inge Broekman Helmer Helmers Het hart des offraers The Dutch Gift as an act of self representation Dutch Crossing A Journal in Low Countries Studies Vol 31 No 2 Winter 2007 Rudiger Klessmann and others Adam Elsheimer 1578 1610 2006 Paul Holberton Publishing National Galleries of Scotland ISBN 1 903278 783 Michael Levey Pictures in the Royal Collection The Later Italian Pictures 1964 Phaidon Press London Logan Anne Marie S The Cabinet of the Brothers Gerard and Jan Reynst Amsterdam 1979 Denis Mahon Notes on the Dutch Gift to Charles II The Burlington Magazine Vol 91 Part I in No 560 Nov 1949 pp 303 305 Part II in No 561 Dec 1949 pp 349 350 Part III No 562 Jan 1950 pp 12 18 All on JSTOR Pt I Pt II Pt III and a letter Notes on the Royal Collection 3 The Dutch gift to Charles I Bruyn J Millar Oliver Sir 1923 1962 Penny Nicholas National Gallery Catalogues new series The Sixteenth Century Italian Paintings Volume II Venice 1540 1600 2008 National Gallery Publications Ltd ISBN 1857099133 Thiel P J J Van Het Nederlandse geschenk Dutch gift aan Koning Karel II van Engeland 1660 Amsterdam Rijksmuseum 1965duephim aekikhngansasmsilpahlwngkhxngphrarachwngsxngkvs citrkrrmchnkhru ngansasmsilpaerynsthaehlngkhxmulxun aekikhRoyal Collection 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